Chris Brown — Ft Wizkid Call Me Everyday

Our Company

QTerminals is a terminal operating company jointly established by Mwani Qatar (51% shareholding) and Milaha (49% shareholding) to provide container, general cargo, RORO, livestock and offshore supply services in Phase 1 of Hamad Port, Qatar’s gateway to world trade.

QTerminals is responsible for enabling Qatar’s imports and exports, its maritime trade flows and stimulating economic growth locally and regionally. QTerminals was awarded the concession for the design, development and operations of Hamad Port’s Phase II (Container Terminal 2) in November 2018 by Qatar’s Ministry of Transport and Communications. We are also actively identifying investment and operations opportunities in ports and terminals outside of Qatar.

2016

QTerminals established as a JV between Qatar Ports Management Company (Mwani Qatar – 51% shareholding) and shipping and logistics company Qatar Navigation (Milaha – 49% shareholding) in 30 November 2017 to handle Containerized and Non- Containerized (General Cargo, Bulk, RORO, Live Stock, Off Shore Supply).

Commenced operation at Hamad Port in Dec 2016.

2017

The official inauguration of the Hamad port took place on the 5th of September 2017 under the auspices of HH the Emir Sheikh Tamim bin Hamad Al Thani.

2018

Concession of design, develop and operate Phase II (Container Terminal 2) of Hamad Port awarded to QTerminals in Nov 2018.

2019

MUT, OST, and GCT Yard Extension taken over in May 2019.

Implementation of NAVIS N4 TOS for the Container Terminal 1 in August 2019.

2020

Start of operations at Container Terminal 2 (CT2) in December 2020.

2021

Milestone of 6M TEUs handled in 2021.

Milestone of 13M TEUs of Non – Containerized Cargo handled in 2021

He watched the "typing..." bubbles dance on his screen for a tense minute. Then, his phone buzzed. It wasn’t a text back. It was an incoming call.

He pulled out his phone. No long-winded apologies, no complicated explanations. Just a simple link to the track and a short message: "Thinking of you. This reminded me that I’m only a phone call away."

He was leaning against his vintage Benz in a crowded terrace parking lot when "Call Me Everyday" began to drift from a nearby open-air lounge. The smooth, Afrobeats-infused bassline—that signature Wizkid swagger—hooked him instantly. Then came Chris Brown’s soulful glide, and suddenly, the frantic energy of the city felt like a choreographed dance.

As he answered, the chorus swelled in the background, a perfect soundtrack for two people finally finding their way back to the same frequency.

The sun was dipping below the Lagos horizon, painting the sky in bruised purples and burnt oranges, when Elias first heard the rhythm. It wasn’t just a song; it was a pulse that seemed to sync perfectly with the humid evening air.

The song was a bridge between two worlds: the high-octane R&B of the West and the rhythmic, golden soul of the continent. It felt like an invitation.