King John(2015) -

The production was specifically designed for the church in Northampton and the candlelit Sam Wanamaker Playhouse at the Globe.

A standout feature was the score by Orlando Gough , which drew on church music, folk airs, and plainchant. This music was so integral that some reviewers described the production as "King John: The Musical," as it suffused the drama and underlined character shifts. Key Performances

Staged in 2015, the production coincided with the octocentenary of the . King John(2015)

Reviewers noted that the play felt particularly modern, exploring the actions of a capricious leader refusing to relinquish power and the heavy toll of "bad management and bad luck" on a nation. Production Credits Director: James Dacre Composer: Orlando Gough

The use of candlelight and the intimate church setting created a spine-tingling environment that mirrored the play's ecclesiastical and political tensions. The production was specifically designed for the church

Interestingly, Shakespeare’s play almost entirely ignores the signing of the Magna Carta, focusing instead on themes of legitimacy, foreign invasion, and the conflict between the monarchy and the papacy.

The cast was led by in the title role, portraying a king who begins with "impish glee" at his coronation but gradually becomes a marginalized, doomed figure. Key Performances Staged in 2015, the production coincided

Alex Waldmann played Philip the Bastard, the play’s moral center and "hero." His performance was noted for its energy and wit, serving as the essential spokesman for English unity.