: Beginning with the "Man with No Name" in A Fistful of Dollars (1964), Eastwood redefined the Western genre by replacing the virtuous cowboy with a cynical, pragmatic figure willing to use violence to achieve his ends.
: This iconographic individualism continued into the 1970s with Dirty Harry , embodying a rugged, often controversial brand of American justice that relied on "the regeneration of violence". The films of Clint Eastwood : chronicles of Ame...
: In his later years, particularly starting with Unforgiven (1992), Eastwood began to examine his own legend critically. These films contemplate the guilt, denial, and grim reality of violence rather than celebrating it. Themes as Chronicles of America : Beginning with the "Man with No Name"